Integrative Studies 339: Humanities Seminar: Fictional Interpretations of Art
Section ER2, BV1, YV1, WV2 : Tuesdays, Thursdays, 5:30 - 6:45 p.m.
Instructors: Patty Fox, MFA; Linda Uhlenkott, PhD
Office: McMullen Hall # 127, McMullen Hall #119
Phone: 753-2262, 753-2346; Fax 753-2131
Office Hours: Linda Uhlenkott M 12:00 – 2:00 p.m.; T 12:00 - 2:00 p.m.(ASC); W 11:00 – 12:00 Other hours by appointment.
Office Hours: Patty Fox M, T, Th, F 10:00 - 12:00 and by appointment
Story of Art, E.H. Gombrich, Chapters 12 - 20
The Birth of Venus, Sarah Dunant; Leonardo’s Swans, Karen Essex; The Girl with the Pearl Earring, Tracy Chevalier; Girl in Hyacinth Blue by Susan Vreeland; The Life of Michelangelo, 2nd ed., Ascanio Condivi
Students will need a minimum size of an 11” x 14” journal-writing and drawing journal. (You may also need pencil, erasers, gel pens, glue stick, rubber cement, ruler.)
Other Resources for the Class
Books: The Artist’s Handbook of Materials and Techniques, Ralph Mayer; Painters on Painting, Edited by Eric Protter; Color: A Natural History of Pigments, Victoria Finlay; The Lives of the Artists, Giorgio Vasari
Videos: The Medici:
Godfathers of the Renaissance; The Girl with the
The above books will be on reserve in the GBC Elko campus library. If you are unable to get to this library, you will have to make other arrangements which may mean the internet or purchasing some of these books. The librarians will also be able to assist you.
An integrative seminar on topics in the humanities. The topics will vary to address needs and interests of programs. Course fulfills the upper-division integrative humanities general education requirements. May be repeated once for credit if the topics are different.
Prerequisites: Completion of lower-division general education requirements.
This humanities seminar is a study of Renaissance and Baroque art and the works of fiction and poetry that have been written in response to the art. Students will read and discuss art, short fiction and poetry, as well as create short fiction and art.
Upon successful completion of the course, the student will be able to demonstrate the following in the areas of writing, reading and interpretation.
-use of formal standard English and MLA style in the composition of short stories
-synthesize the affective and aesthetic interpretations of art in short stories and essays
Reading and Critique
-read affectively and interpretively
-orally describe the meaning of the text
-orally discuss alternative meanings of texts and images as seen by literary critics and aesthetic critics
-identify terms, of authors and their works and of artists and their works
-list characteristics of fiction as observed in the literary works used in class
-interpret style, iconography and the cultural context of art work
-identify techniques and materials and conservational methods through the use of formal analysis
-use historical and biographical criticism in the literary argument about the texts
Identify authors, painters, terms, works
List elements of short stories
(Project 1), Dialogue from an Image (
Use the elements of short stories and information gathered through research to write a story about art
Analyze a work of art
Oral presentation of formal analysis
Compare a work as presented in a printed text with the work as presented in a movie format
Use the internet and library to research and present the life of an artist through selected details about places, persons and objects important to that person
(Project 2); Group letter-writing (Painters on Painting), (
Create a pictorial narrative about art
Interpret art work through style and cultural context; oral presentation
Identify and research techniques, materials and conservational methods for five (5) museum pieces
Compare one genre with a second, describing what the author of one can accomplish that the second cannot
Browning and Ascanio Condivi
(Project 3) - e
Reproduces Standard Edited English
Short stories and other formal writings, oral presentation
Assignments and Expectations:
INT 339 is an advanced course in literature and language in which you will be expected to read more widely and write about your reading in a more critical manner than in other courses you may have taken. Because this is a seminar, you will also be expected to contribute regularly to class discussions and to participate in any online discussions via WebCT.
Regular attendance is critical to success in this course. When you miss class, you will miss lectures and discussion that will help you in your understanding of the influence that language and culture have on poetry; these discussions will be integral to the writing of the papers for this course. If you miss class, it is your responsibility to check the WebCT course site where we will post updated information. GBC’s attendance policy allows up to three absences in a three-credit class without penalty, but those should be used to cover emergency absences. Instructors may drop students for excessive absence. (See page 51 of GBC’s General Catalog 2004 - 2005 for the complete attendance policy.)
Class Schedule for: Fictional Interpretations of Art
Aug 29 Class 1- Introduction- Syllabus
Read: The Birth of Venus and The Story of Art Chapters 12, 13 and 14
How to use the internet for this class, Web CT, Web sites and your Museum Journals and Projects
Aug 31 Class 2- Lecture #1 from The Story of Art,
Chapters 12 - 14
Sept 5 Class 3- Literacy terminology- What is a short story? Museum Journal #1 - Creating dialogue from images.
Sept 7 Class 4- Museum Journal #2 - Create a collage illustrating a narrative
Sept 12 Class 5- Discussion of The Birth of Venus. Read: Leonardo’s Swans and Chapters 15, 16 & 17 The Story of Art. Museum Journal #1 due.
Sept 14 Class 6-Video- The Medici -Godfathers of the Renaissance Part 1
Sept 19 Class 7- Museum Journal #3 – Mapping, Dante website
Sept 21 Class 8- Video- The Medici-Godfathers of the Renaissance Part 2
First Project due: Short Story
Sept 26 Class 9 - What and how to do a biography?
Museum Journal # 4 - Create a timeline
Sept 28 Class 10- Robert Browning Hypermedia
Explain third project
Oct 3 Class 11 Video - The Medici-Godfathers of the Renaissance part 3
Oct 5 Class 12- Discussion of Leonardo’s Swans. Read Michelangelo
Oct 10 Class 13- Finish Video The Medici – Godfathers of the Renaissance
Oct 12 Class 14 - Lecture Art History Chapters 15, 16, and 17
Second Project due: Biography
Oct 17 Class 15- How to do a formal analysis of art work
Guidelines for analyzing works of art, select works of art for your report
Comparison of poetry structure
Explain fourth project: Five artwork samples from a museum
Oct 19 Class 16-Museum #5 - Illuminated Manuscripts
Class Discussion of Michelangelo.
Oct 24 Class 17- Finish Class discussion of Michelangelo
What can Browning do that Condivi cannot? Read: Story of Art Chapters 18, 19 and 20
Students design rubric for Formal Analysis
Oct 26 Class 18 - Formal Analysis presentations by students
Oct 31 Class 19 - Formal Analysis presentations by students
Nov 2 Class 20 - Formal analysis presentation by students
Nov 7 Class 21 - Read Girl in Hyacinth Blue, Third project due
Nov 9 Class 22- Art History Lecture- Chapters 18, 19 and 20, Baroque Period
Nov 14 Class 23- Museum Journal #6 – Period costume identification - Fourth Project Due – Five Artwork Samples
Nov 16 Class 25- Discussion of Girl in Hyacinth Blue, read: Girl With the Pearl Earring
21 Class 26- Video- Girl with the
28 Class 27- Video- Girl with the
Fifth project due – An Original Story of Art
Nov 30 Class 28- Class discussion of film and book, Project #6 Assigned
Dec 5 Class 29-Museum Journal #7 – Group letter writing to an artist from Painters on Painting
Dec 7 Class 30- Sixth Project Due-Comparison of movie and screenwriting, Course evaluations
Dec 12 Exam week
Projects – 60 pts. (6 projects)
1. Short Story
3. What can Browning do that Condivi cannot?
4. Five Artwork Samples from a Museum (students may use one of these for their formal analysis)
5. A Story of Art
6. Comparison of Movie and screen writing
Museum Journals - 25 pts. (3.5 for each)
1. Creating dialogue from a postcard
5. Illuminated Manuscripts - images and borders
6. Period costume
7. Group letter writing to an artist
Class participation 15 pts.
1. Class Discussions and participation
2. Formal Analysis Presentations (Students will aid in composing rubric for evaluation of presentations)